Wednesday 13 November 2013

More New Records!

Fika Recordings have announced not only the expected 2014 Stanley Brinks & The Wave Pictures album (called Gin) but a non-LP 7 inch (called Orange Juice).





http://shop.fikarecordings.com/album/orange-juice

http://shop.fikarecordings.com/album/gin


2014 shaping up nicely.

And here's a really good article on some of the WP's favourite songs:

http://warmer-climes.blogspot.ro/2013/10/warmer-mixtapes-900-by-jonny-helm-jonny.html


WARMER MIXTAPES #900 | by Jonny Helm [Jonny 'Huddersfield' Helm], David Tattersall (The Lobster Boat Band) and Franic Rozycki (The Lobster Boat Band) of The Wave Pictures

SIDE A | by Jonny Helm

1. Neil Young | Only Love Can Break Your Heart
The whole After The Gold Rush album makes me happy, it's associated with good memories from when I was very young. The Sound is so warm, Neil Young sounds so sad. Try to be sure right from the start.

2. Van Morrison | And It Stoned Me
Moondance is one of my All Time favorites, this song opens it perfectly. The band sounds so good! The story is really nice, two friends on a little Fishing trip, it's nothing to do with drugs! What stones him is the Sun coming up after some Rain, jumping in a river and even a glass of Water after singing too much on the way home. Lovely.

3. The Velvet Underground | Pale Blue Eyes
A beautiful song, featuring a wonderful understated Guitar Solo and a very gentle Vocal from Lou Reed. It's a lesson in what makes a good Record, good, Honest, Intelligent Lyrics, wonderful Guitar Playing, a Tambourine on the third Beat.

4. The Modern Lovers | Someone I Care About
Jonathan Richman's songs have a World view that seems a little under represented in Rock and Pop Music. This isn't exactly a Love song, it's about wanting someone who you actually like and knowing that means sometimes you have nothing at all. And it totally rocks!

5. Son House | Grinnin' In Your Face
A piece of good advice from someone a bit older and wiser. There are only two things going on here, a Vocal and hand claps, but it manages to sound full and sort of magnificent. I first heard it on a Compilation Tape given to me by a friend and loved it straight away.

6. Tennessee Ernie Ford | Sixteen Tons
Is this Country Music? I really like it, I thought I'd never like Country Music, but then I heard Hank Williams and Buck Owens and this weird hit about a working man's life which manages to sound profound and stupid at the same time. Brushes on the Snare, finger clicks, a great Bass line and a wonderful Vocal Performance.

7. Violent Femmes | Blister In The Sun
There's something joyous about this track, again it's the Simplicity of the Instrumentation and the Emotion of the Vocal. Gordon Gano's voice sounds so real and the whole thing is Spirited and exciting sounding.

8. Jeffrey Lewis | Seattle
An example of brilliant Song Writing. Great Finger Picking and Lyrics that spoke to me when I first heard this album as an Art student in Cardiff. And I'm feeling like I wanna do whatever I feel inside... Put it all on paper and I'll hope that people buy it... And my only minor worry is how to pay the rent... But that won't even matter when I lose my apartment... It's got a weary humour and wit to it.

9. (Smog) | Truth Serum
This is a story about taking Truth Serum with friends, and realising there isn't a lot of Truth in us anyway. The Backing is all chiming Guitar and subtle Drumming. I like that the Chorus is a question and answer session.

10. Sam Cooke | I'll Come Running Back To You
I think this is Sam's first Secular track after years of singing Gospel songs. It's pretty good for a first try at a Love song, isn't it?


SIDE B | by Franic Rozycki

1. The Prisonaires | Just Walkin' In The Rain
Sung by a group of genuine convicts in the 1950's, the beauty of this song is obvious, but it also led me to listen to more recordings by Sam Philips of Sun Records, which in turn led me to listening to more Blues, Folk, Country, Bluegrass and Rock And Roll Music. Basically mostly 50's (with a little 40's and 60's) Music, which is now what I like to listen to most of all.

2. Roy Orbison | It's Over
I knew and liked Pretty Woman from an early age, then later on discovered and enjoyed the recordings Roy Orbison made on Sun Records. Then I found my Dads' 7" copy of It's Over and was blown away. In most cases I find Strings on records unlistenable, but Roy is so good that despite how overblown this recording is, nothing can distract from or deny the Emotion of his performance.

3. The Shadows | All Day
I like a lot of Twangy Guitar Groups/Players including Duane Eddy and Link Wray, but The Shadows are my favourite, perhaps because they seem to have a bit more Variation that those other guys. Which is demonstrated on this slightly Italian/Greek(?) sounding track. The Shadows always look like they are having fun playing and I can imagine them having a nice time enjoying playing this relaxing tune. Rather than sticking to just one style they have mastered many different ones - they also do Rock And Roll (Dynamite, with Cliff Richard), Twangy Guitar with Minor Chords (Apache) as well as many others! This is another song that I first heard on a 7" belonging to my father.

4. Bill Monroe | I Saw The Light
I find it difficult to not feel uplifted by a great deal of Religious Music. That is true of many Bluegrass songs, in this case sung by Bill Monroe. The combination of Group Singing, wonderful Playing and good time feeling that Bill is experiencing makes it impossible for me to not also feel happy with him.

5. Percy Sledge | Warm And Tender Love
The tendency of Soul singers to sing with feeling all of the time appears obviously fake to me, and despite trying, I found it impossible to find a Soul singer that I could believe in. That was until I heard Percy Sledge, whose wonderful voice seems so much more heartfelt and genuine than any other Soul man. Hearing him sing Warm And Tender Love for the first time was an exciting moment, discovering that he had songs that were as good as and better than When A Man Loves A Woman.
6. Bob Dylan | The Man In Me
The Man In Me, from Dylan's New Morning album, is a joyous Love song. Hearing this song on the Soundtrack to The Big Lebowski made me realise that Bob Dylan was making great Music in the seventies, despite everything that I had read suggesting that this was a low period in his career. I had listened to but never loved some of his highly thought of sixties albums such as Highway 61 Revisited and Bringing It All Back Home. Although they were clearly good and fun as well as being smart, I found I preferred the slightly more conventional but no less great, beautiful and fun songs that start to appear on Nashville Skyline and then New Morning. Once you start listening to Dylan in the seventies then there are so many more great albums to discover such as Self Portrait, Planet Waves, Street Legal, and into the 80's, Shot Of Love. And once I started to love these albums, then the sixties ones grew on me as well!

7. Neil Young | Cortez The Killer
Neil Young is one of my All Time Favourite Guitarists. Probably Top Three. Maybe even Number One, depending on how I am feeling. It must have been said before, but his Guitar Playing proves that less is more - less notes and far more feeling. Cortez The Killer is a perfect example of this, stretched over seven or so minutes. Neil creates so much good feeling not only from his songs, but also through his Music. Whether he is playing Electric or Acoustic Guitar or Piano, he is a great player.

8. The Rolling Stones | Monkey Man
Before Dave (Tattersall of The Wave Pictures) put this song on a compilation, all I knew by The Stones was the best of album Hot Rocks, and had been led to believe that this was all I needed to hear by them. After listening to Monkey Man I immediately realised that this was false, so I started buying as many Stones albums as possible. Let It Bleed, which this song is taken from, is 100% killer, as are Beggars Banquet, Sticky Fingers and Exile On Main Street. As if this weren't enough great albums then there are many more from before and after this period of their career that are also totally awesome. Monkey Man demonstrates what a great Studio band The Stones are. They are brilliant at Arranging their Music so that a complex Studio Recording sounds like a seamless Live take. The Stones reputation for drugs, women, overblown stage shows and crap recent albums has maybe overshadowed the fact that they produced many brilliant albums which contain songs which are as good as the hits, such as Sympathy For The Devil, Honky Tonk Woman, Satisfaction, etc. The Stones are one of my favourite bands.

9. Faces | Ooh La La
Although the Faces are famous for their raucous Rock And Roll, they also have a bunch of lovely Ballads which are mostly co-writes or wholly written by Ronnie Lane. Ooh La La is one such song, co-written with Ronnie Wood, and has the writer affectionately recalling a story told by his Grandad that he did not take seriously at the time. The song is both Upbeat and laid back at the same time, with great Ronnie Wood Acoustic Guitars, who produced his best Guitar Playing on record while he was with the Faces. I love that the Faces have the ballads of Ronnie Lane to go with their louder Rock And Roll Music.

10. Antony Santos | Que Mas Me Pides
Despite all of his songs being sung in Spanish (which I can't speak), Anthony Santos still gets onto my list because of the amount of fun I have had listening to and singing along with him whilst on tour with The Wave Pictures. I could have chosen any of the songs on his En Vivo: Vuelve Amor album, and picked this one randomly. Whatever he is singing then it sounds Mournful, Heartbreaking, Joyous and Up-Lifting.

SIDE C | by David Tattersall

1. Stanley Brinks | This Will Be All
Stanley Brinks has written hundreds of beautiful songs. This one (from the album Digs) is particularly beautiful. He tells you a little something about himself. He tells you a little short story about a Train ride, a cocktail, a cigarette, a girl. This song reminds me of Raymond Chandler.

2. Lou Reed | Halloween Parade
I'm a huge Lou Reed fan. For me, his best work is at the start and at the end of his career. The Velvet Underground stuff is totally wonderful, but I also really love his work on a trilogy of (relatively) recent albums: 'New York, Set The Twilight Reeling and Ecstasy. This song (from New York) paints a strong picture of a particular time and place. It is suffused with longing for absent friends. It is full of Humour. It is also in part about enjoying the act of Rhyming: the Rhymes just roll out beautifully. His voice is beautiful. I love the Sound, I love the Guitars, I love the Doo-Wop Chords. As Lou says in the sleeve notes - you can't beat two guitars, bass, drums. Not with a great singer like Lou Reed anyway.

3. Bob Dylan | Went To See The Gypsy
This is a strange, Mysterious little story song. I love the details: the Sun rising over a little Minnesota town, the Hotel lobby, the dancing girl. It has so many great lines in it. It is a strange song. The Rhythm seem unsure at times. At one point the drummer even stops playing for a moment. But the Playing and the Sound has a lovely feeling, a sweet energy, and a pleasing kind of Wholeness with this strange little story that Bob is telling. You wonder what it all meant to him. I don't know what the Dylan nerds say: there is probably a long analysis of this somewhere on the Internet. But I love it just as it is, with no extra information. It's a lovely thing. Some great Electric Guitar playing on this one too; I think the guitarist is called Ron Cornelius, but I'm not sure.

4. The Fishermen Three | Time To Think About The Morning Once Again 
A sweet and beautifully written Ballad, full of Hope and Promise, about turning a corner in your life and making a few changes. From the album of the same name, which is full of beautiful songs. This song is rich in Imagery, but also plows a straight and steady course to your heart. It manages to be both unpretentious and Poetic: not an easy task. So intelligent. It's a song to go back to again and again throughout your life.

5. Van Morrison | Astral Weeks
It's hard to imagine a song with better Poetry in the Lyrics, or with more Soul and Feeling in the Music. The band on this album are extraordinary. This track opens the album, and it is full of Wonder and Joy. I love to put this record on. I could listen to it every day.



6. Dire Straits | Sultans Of Swing
People seem to think that Dire Straits are a guilty pleasure. They are quite wrong. Brothers In Arms is total rubbish from start to finish, no argument here. And Mark Knophler has done remarkably little of Value in his long Solo career: he is a balding cheese-monger with two Keyboard players in his band (even more insane than having two drummers in my opinion). But Dire Straits' Self-Titled Debut Album is Dark, grown-up, Live-sounding, simple and Singular. It conforms to Lou Reed's law (it is mainly two Guitars, Bass and Drums) and the Sound is superb. This is the best song on the album, and the best thing that anyone involved ever did. I have heard this song literally thousands of times and I never find it boring. I never tire of it. Why is that? The amazing arranged Guitar Solos? The Minor Chords? The Lyric is certainly very strong: it's another detailed story, this time about a Pub band. He captures what is sad and what is beautiful about the life of the Pub musician. He sees how glorious they are. It's got a lot of heart to it. It's just totally killer, this song, in every single way. It's got Mystery, it's got Depth, it Grooves. Listen to what the drummer, Pick Withers, does on this one. Superb Musicianship.

7. Neil Young | Down By The River
One of the Greatest Electric Guitar Records Ever Made. You put this on, and you are in the room with them. And what a performance they are giving you! Those steady, groovy, simple-as-can-be Drums. The stabbing Rhythm Guitar. And Neil, coming out of the Right Speaker, playing some of the best Guitar you ever heard.

8. Silver Jews | Ballad Of Reverend War Character
I have no idea how many times I have listened to this song. Possibly thousands of times. It has sublime Lyrics. So many good lines! I love David Berman's World-weary Vocal. The band play beautifully. I find this recording incredibly moving. It feels like all Life is contained within it. It feels like this Singer knows everything there is to know. It feels sad and strong and sweet and good.

9. Paul Simon | Me And Julio Down By The Schoolyard
Paul Simon spends so much time trying to find Novel and Complex Chord Sequences and yet this is indisputably his greatest song: a little three Chord ditty more like a Buddy Holly Chord Sequence. This song makes me so happy. Simplicity and sweetness. A strange and rich and impenetrable story. God only knows what is going on here in the story: it's a Mystery! I always loved this kind of Lyric... There's a story there, but what is it exactly? Simon's lovely, lovely voice is clearly enjoying the sounds of the words as they come out of his mouth. I have loved this song ever since I was a child. It's also on the Soundtrack to one of my favourite movies: The Royal Tenenbaums. It soundtracks a particular joyous montage sequence in which Gene Hackman indulges in a bit of Shoplifting amongst other things.

10. Allen Ginsberg | Vomit Express
This is the greatest, happiest, most Exuberant Rock And Roll there is going. The Chord Sequence is a lot like La Bamba. Bob Dylan is on Rhythm Guitar. There are some crazy cool talented people hanging out and making Music. The air is full of smoke. Everyone is very happy. Allen Ginsberg is going down to Puerto Rico, and he wants to tell you all about it, even if it takes all night. This song has so many verses. It could go on forever and ever. The Poetry just pours out of him, verse after verse after verse, and the musicians keep on gathering and regathering steam, launching again and again into that Chorus, finding Real Energy. Magic.

Tuesday 29 October 2013

The Plural Of Vinyl Is Vinyl

Lisbon exists! On 7 inch! I hold in my hands incontrovertible tangible evidence - the 7 inch itself. Happy to report as it's existence was in doubt, at least in my own mind. Cracking b-side too, "One By One (Electric)", is an If You Leave It Alone style gentle number with a lovely horn part and Freschard coo-ing in the background. Which makes me wonder what One By One (Acoustic/Normal) would sound like as the released version really isn't very "electric". Excellent though. Shame there's no download code but I guess that'll keep the 7 inch special. A friend asked me why I was spending £5 on a 7 inch when I already had the lead track, but there you go - fandom!

Speaking of which, if you're waiting for the WP's to get off tour and send out the double-vinyl to you I'm here to tell you it's well worth waiting for. 2LP gatefold, white-vinyl, 2CD's in the package, full lyrics and snazzy pictures, it's really a terrific package. Great pressing too as it plays flat and silent (between songs, I mean).

Despite the band obviously being vinyl fans, I feel like I've complained about waiting for vinyl pressings on a number of releases over the last couple years. Well, not this time around - it's a great time to be a WP's vinyl fan!




Wednesday 23 October 2013

Red Cloud Road

Another minimal band effort video released for the second single, bizarrely in the week the first single is released!


A nice piece by Allo Darlin's Elizabeth Morris too to welcome the new record into the world:




City Forgiveness

As a band, we have been fortunate enough to tour with some wonderful people, in both strange and beautiful places. I have a collection of these memories stored for moments when I need them. On the whole touring, like any kind of travelling, is a joyful experience full of both the mundane and the magical, then the mundane becomes magical once you’re home and back in the 9-5. It’s made for sentimental romantics like us.
Last year we toured twice with the Wave Pictures, one of my favourite bands before I met them, and with familiarity and closeness my admiration for them has only grown. We had 5 weeks in America in Spring, just after our album Europe and their album Long Black Cars had been released, and another 2 weeks in Spain in the Autumn. The first tour they opened for us, the second tour we opened for them, and we’d often end the shows playing together. They have a way of making you feel like you’ve known them since you were children. If I see the boys in Allo Darlin’ as my brothers, I see the Wave Pictures as our cousins. The ones who have a pool that you swam in every afternoon after school, who get a little too drunk at your wedding and end up sliding across the dance floor on their bellies.
When we were in America, Dave was writing a lot in his notebook during the long drives. He turned those words into songs, and those songs now make up their new double album City Forgiveness, which was released yesterday. Paul plays a lot of guitar and piano on the album, and I am having fun trying to work out which is Paul imitating Dave or the real Dave. I can tell when Paul sounds like Paul though. I think Bill and Mike both contributed to the album too, although I’m not quite sure what ended up on the final version.
It is an ambitious and thrilling and emotional record, and I am proud to have even the tiniest association with it. You can buy the record from Moshi Moshi and you definitely should.

20131022-153537.jpg

Monday 21 October 2013

City Forgiveness Release Day!

It's October the 21st which means the new WP's record is in stores now. I'm looking forward to hearing it properly but advance word certainly makes it seem like this is their defining artistic statement to date. Go buy it now!

http://thewavepictures.bandcamp.com/album/city-forgiveness

There's mention of a 7 inch of Lisbon too, also out today, but it's not immediately obvious if this actually exists. There's a non-lp bside called One By One on it so let's hope it doesn't become another phantom 45 like Spaghetti (which is still listed as being released on 7inch on their website - and never was).



Meanwhile, a nice track-by-track has been published by This Is Fake DIY - http://www.thisisfakediy.co.uk/articles/features/in-pictures-the-wave-pictures-city-forgiveness/

In Pictures: The Wave Pictures - City Forgiveness

Dave Tattersall puts together a pictorial guide to the American road trip that helped make new album 'City Forgiveness'.

Posted 17th October 2013, 1:38pm in Features


The Wave Pictures' new double album 'City Forgiveness' is a colossal thing, put together in just one week, so the story goes. But it's a well-travelled beast, its ideas emerging from weeks and weeks on the road with Allo Darlin', where American nothingness collided with strange sightings and all the food a hungry band could possibly eat.

"We visited Hank Williams' house and Billy The Kid's grave, watched the Golden Gate bridge disappear into the clouds, and had our frisbee confiscated by a cop," tells Dave Tattersall. "We played some great shows together, and we became good friends, and we drove and we drove and we drove and we drove."

While endlessly driving around, Dave scribbled all his sightings into a notebook. These would eventually make up the thoughts and themes of 'City Forgiveness. "Anything that popped into my head went in the notebook. When I returned home to London, I had a few hundred crumpled, well-travelled pages at the bottom of my bag," he explains.

What followed was "a very jet-lagged and confused week, immediately after the tour.

"I had emptied out the notebook: it was just like unpacking. We clearly had a double album on our hands; not a concept album about America so much as a testament to the way that travel excites the imagination.

"The title came to me in a dream several weeks after the trip. Nothing useful has ever come to me in a dream before, so I felt that I had better use it. The title reminds me of City Lights: both the beautiful Charlie Chaplin movie and the Los Angeles company who published Allen Ginsberg's 'Howl'. The dream was about the trip: running at midnight in some American city, on what they would call a sidewalk, I pull a vinyl album out of what they would call a trashcan; it is the most beautiful vinyl album I have ever seen and the title is ''City Forgiveness''. I woke up enough to write these 2 words down on a takeaway pizza menu that happened to be by the bed, and fell back to sleep."

Accompanied with pictures from the trip, Dave put together a mammoth guide to the record; an audio-visual feast that connects what he saw on the road to what makes it into his band's latest album, out Monday 21st October on Moshi Moshi Records.

All photos credited to: Will Botting / Allo Darlin'

ALL MY FRIENDS
This has something of a late night New York diner feel to it. Jack Nicholson drinking coffee in ''The Last Detail''. Edward Hopper's ''Nighthawks''. Chandler Bing dumping Janice in the background. In the first week of our travels around America, I found a novel called ''All My Friends Are Going To Be Strangers'' in a Salvation Army thrift store in Brooklyn, and carried it with me, unread, for the rest of the trip.

BEFORE THIS DAY
This tells the story of the first day that I can remember; what I take to be my very earliest memories. I am running through the long grass, yet to be cut, behind the house in Wymeswold that my family moved to when I was three years old. I am the same me that I am now, but considerably smaller.

Travel does this to you: it shakes loose these buried memories from home.

CHESTNUT
This is what happens to bands that eat huevos rancheros every day for six weeks.



BETTER TO HAVE LOVED
We played a Tequila festival in Tucson, Arizona. We were on after a kind of rock/mariachi/bachata band with a cowbell player, a drummer and a percussionist. They were very laid back and groovy. The guitar player liked his wah-wah pedal. They played outside, and we danced to their music and drank tequila with a hundred or so other revellers. Then we went inside and played our show to an audience of two people. We were on fire though, as I recall. That band had really excited me. I think of them sometimes. I don't know who they were, but they were great. They could play a great cover version of this song.

MISSOULA
Missoula is in Montana. This is a love song, pure and simple. A love song to motels and beer bellies.

LISBON
This is a song about flying home to see your loved ones after a long trip. It is a song about the first cup of coffee on a day that has already been very long by 9 in the morning. It is a song about almond butter and about cuddles. It is a song about travelling, and the end of travelling. It's a song about carrying a tune in your head, getting home and writing it down.

Singing about ''Little Richard on the radio'' is wishful thinking: if only.



RED CLOUD ROAD (Part 2)
Red Cloud Road is a real road in California. Red Cloud Road is also ''a high energy band in Longmont, Colorado playing covers of your favorite hit songs'', according to their Facebook page. It also sounds like a level on the popular computer game Super Mario Brothers.

This song is a little play, and it's a sequel, too, of course. Part one, featuring the same two characters, will be available soon. In my head, I like to cast Jane Russell and Robert Ryan as the two leads in this little play, but feel free to pick your own. Just don't let Daniel Day Lewis anywhere near it.

THE WOODS
In Lubbock, Texas, we visited the Buddy Holly museum, ate breakfast burritos and played pool with the locals. In Chico, California, we ate ice cream all day and slept on mattresses that were infested with the cocoons of black widow spiders. We watched Terminator 3 in a Holiday Inn in Alabama. We drove over the state line into Florida to buy beer on a Sunday. We slept like sardines in a can in Philadelphia, in the home of an enormous grey cat. We ate macaroni cheese by the Mississippi river in Minneapolis. We watched Paul Simon read his favourite Phillip Larkin poem in a lecture theatre in New York. We looked in the gift shop of the Seattle space needle, but didn't go to the top because it was too expensive. All the while the notebook was filling up.



WHISKY BAY
Whisky Bay is in Louisiana, where we performed for an audience of three in Baton Rouge, in a bar stuffed full of pool tables called the Spanish Moon. Fats Domino on the van stereo in the morning sunshine the next day, driving with bellies full with exquisite omelettes. This is another love song, and a very happy one too.

THE YELLOW ROSES
Hawaiian shirts, sunshine and freedom, versus bitterness, pettiness and regret.

In San Francisco I bought hawaiian shirts by the pound, the way you would buy mince.

TROPIC
The narrator here is a parent who has outlived his child. I have spent a bit of time with parents who have lost a child. The pain is permanently present.

The line ''There is loneliness and pain, it is written in the earth'' comes from Henry Miller's ''Tropic of Cancer'', hence the title. The two books I took with me on the tour of America were ''Tropic of Cancer'' and ''Poet In New York'' by Lorca. Lorca appears in this song too. I never finished ''Tropic of Cancer'' – it is very good but it is also too long.

THE INATTENTIVE READER
Looking at the moon in Lisbon, walking through the market square in Hamburg, thinking about Buddy Holly again. Chatting in bed at midnight in the basement flat beneath a bar, a Matisse print on the wall, 'Bringing It All Back Home' on the CD player.

If this song was a type of food, it would be a slice of New York pizza. If this song was an item of clothing, it would be a hawaiian shirt.

SHELL
Driving into Georgia, deep in the night, and trying to set an absent friend straight. People tend to think they are doing worse than they are. Like most songs, this is an open letter, a message in a bottle thrown into the sea.



THE ROPES
Hot air balloons in the sky, pool halls on the ground. Paul Newman in ''The Hustler'', baboons in the trees, Black Sabbath on the radio. You look up and see an old friend about to pass you on the street. You were close once but there's nothing to say anymore.

NARROW LANE
Driving up the west coast of America with Wymeswold on my mind.

ATLANTA
I believe that I wrote these words underneath a green umbrella, with a Turkish tea, outside a restaurant called Tallulah's in Atlanta, surrounded by the shimmering rain. But I do not remember.

NEW SKIN
This song reminds me of Chicago, of the waitresses at Schuba's Tavern putting their own money into the jukebox to play 'Somebody I Used To Know' by Gotye over and over and over and over again. When I returned home from the tour I suffered from jet-lag induced insomnia and I partly blame Gotye for this. His Sting-like hit song played ceaselessly in my head. Sleep was impossible. I lost my mind. All I could do was wander around my east London flat like a ghost, and write songs. This song is probably the one on the album that is the most like ''Somebody I Used To Know'', though I sincerely hope that does not sound off-putting. I would also hate to disappoint any Chicago waitresses who might happen upon this text. The two songs are not very similar.

A CRACK IN THE PLANS
Conceived in a rooftop jacuzzi, high above Los Angeles, after watching a four hour documentary on the career of Woody Allen.

I really did look a fox in the face once, in the shadow of a burger stand, on Woodlands Road in Glasgow, when I lived above the Halt Bar there.



GOLDEN SYRUP
The narrator here is an old man. I picture Henry Miller in ''Tropic of Cancer'', as played by Charlie Chaplin.

LIKE SMOKE
Sex and death, black back teeth and looming rainclouds, pretty pink flowers and curious calves, red wine in the plastic cup outside the funeral home, the wood oven and the pizza inside it, rows of chimney stacks, ashes in the wind, the trick-or-treating kids in my block who change their costumes and come back again and again for more sweets, bursting into laughter, John Fahey playing ''When You Wore A Tulip (And I Wore A Big Red Rose)'', emptying out the notebook like an upturned suitcase, grandparents and babies and us somewhere in the middle.

Monday 23 September 2013

"I was a beatnik for one week."

http://www.thearkpreston.com/2013-09/interview-the-wave-pictures/

Interview: The Wave Pictures

Interview — By on September 23, 2013 1:00 pm
On September 24th, The Wave Pictures return to Preston with worldwide touring experience and a brand new double album called City Forgiveness. Ahead of their show at The New Continental, our writer spoke with the band about their extensive touring, influences, what inspires a double album and much more…
.
What’s the new record like and what made you decide to make it a double?
I wrote about forty songs in one insomniac week, after coming home from touring. They just all came pouring out of me. I never experienced anything like it. It’s a stream of consciousness epic! It’s our version of On The Road! And if you believe that you’ll believe anything! I was a beatnik for one week. Then I got a good night’s sleep and it was over.
.
The record was written while on tour across America so are we getting a more American sound and loads of American references in the new songs?
The Woods sounds a bit like The Velvet Underground. We’ve always been inspired by American music first and foremost. We listen to the blues, country music, Dylan, Creedence Clearwater Revival, Wilson Pickett, Bo Diddley… It has always been where the band is coming from. The Woods is definitely a Velvet Underground thing… you’ve got to love the Velvets!
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You spend a lot of time gigging all over the world, where are your favourite places to play? Are there different reactions in different countries? Is there anywhere you’ve been where they just didn’t get it?
We really enjoy touring Germany. The audiences there are very attentive but also up for having a party, a good time. I like playing anywhere though. I like it even when the audience doesn’t like it, which does happen on occasion.
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You’re known for your witty lyrics and obscure imagery, what makes you happier, someone listening to your songs and having a little chuckle or someone spending an hour thinking about what it all means?
The best thing is when you see someone dancing at a show.
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Where does the song writing inspiration come from? Do you have a favourite lyric of yours?
I’m so thrilled and excited about the new album City Forgiveness. I know that musicians always say that about their new album, but for me it’s our very best work and the best lyrics I have written so far. I don’t know where the inspiration comes from, exactly. We’re very lucky in that we have a lot of very talented friends: Sam James, Stanley Brinks, Jeff Lewis etc etc… To watch these talented people at work is endlessly inspiring. I think a lot of different things inspire me. Films, books, poems, records, and stuff from every day life. It all starts to feed into it. I’m very lucky because I simply enjoy doing it. I’ve never had writer’s block. I’ve never had to work hard at it. I don’t know why.
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Anyone who has typed The Wave Pictures into YouTube will know your videos tend to be quite funny. Do you enjoy the video shooting side of it? What’s the most fun you’ve had on set?
No, to be perfectly honest I hate making music videos. I wish we didn’t have to do it. I don’t watch them, I don’t like being filmed, I don’t like the discipline at all. We tend to try to get someone talented like Darren Hayman to do it for us. He’s very good at making videos. I’m happy to just pass it over to him and take a back seat. Best of all is when I don’t have to appear in the video. I can just watch it when it is finished. In answer to the second part of your question, making videos is not my idea of fun. If you like one of our videos, then all the credit goes to the film-maker, not to me.
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The Wave Pictures have been going for ages now, do you still enjoy it as much as when you started and what’s changed about being in the band since?
I enjoy it more and more actually as time goes on and we get better at what we do.
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Once tipped to make it big you’re now kind of a cult favourite, would you agree? Do you still have ambitions to be more than that?
We’re just enjoying playing music together. I love writing songs and we all love playing together, and talking about music and listening to music. We’re completely addicted. I enjoy every stage of it – the writing, the playing, the recording, the gigs. I feel really lucky because Jonny and Franic are such great musicians and we all get along very well too. We’re very ambitious about the music… we just want to get better and better at what we do. We’ve never had to compromise in any way. We really do things exactly the way we want to do them, with no interference from the outside. Our record label and our friends and family have been completely supportive all the way.
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There’s a tour just on the horizon, what are you guys like on tour? Rock and roll? Or the opposite?
We are wild and crazy guys!
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The Mercury Music Prize nominations are out, what have you been listening to lately? Anything you’d like to see get a nod, or even win?
My favourite new album is Boom Biddy Boom by Freschard.
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With your extensive back catalogue, what can we expect in the set-list?
We change the set list every night. Actually, we don’t use set-lists at all, we just get up there and start playing. We only do the songs that we feel like doing at any given moment. Usually it’s a mix of a few old ones and the stuff from the new album.
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You play at The Continental in Preston which is known for its fine selection of continental beers, what’s your favourite beer? May I recommend the Delerium Tremens and Kwak?
I will have to try those! I guess personally I like to drink lager. I like Red Stripe! Franic is more of a real ale man. Jonny tends to drink red wine usually.

Wednesday 18 September 2013

Some new press

Tattersall gives us some record recommendations here:

http://www.cracklefeedback.com/artists/the-wave-pictures/broken-record

And a brief interview here!:

http://shadowplayfanzine.blogspot.co.uk/2013/09/interview-mischief-with-allo-darlin.html

The hardest working band in Britain, aka The Wave Pictures, have been firm favourites on this website for pretty much ever. Its great loving a band like this because new material, in one form or another, is never far away. And by this I mean quality releases like Long Black Cars (an album proper) and frontman David Tattersall's second solo album Little Martha, both released in 2012, not put out for the sake of it (in a Ryan Adams kind of way), but for the love of it. 2013 sees them still going strong with a new album, an ingenious "dad rock" video and a substantial UK tour (see below for details). Here, David Tattersall takes time out to talk about his oft-surprising record collection. The new album, City Forgiveness comes out October 21st on the ever reliable Moshi Moshi label.
Under-rated Record
Freschard - Boom Biddy Boom
This album is a masterpiece and since it seems to have slipped out without any reviews, no record-label backing, nothing, i guess it's safe to call it ''under-rated''. I hope that Freschard doesn't remain under-rated because I really love what she is doing. I really like her music.
Favourite Country Album
Buck Owens - The Very Best Of Buck Owens Volume One
This has been one of the records that I have played the most in the last year or so. So many great songs: Under Your Spell Again; Excuse Me (I Think I've Got A Heartache); Act Naturally. And i love the ''Bakersfield Sound'': driving, dry, no frills, twangy guitars. It's glorious, unpretentious, funny, silly, intelligent music.
Favourite Alt-Country Album
The Flying Burrito Brothers - Gilded Palace of Sin
I think this is probably Gram Parson's best work. He's got that mix of being simultaneously down-to-earth and melodramatic that great country music has, that you hear in Johnny Cash and Buck Owens and all the rest. This record has a pleasing crisp sound to it, too. And very good songs, like Sin City. I like his voice, too.
Favourite Jazz Album
Gerry Mulligan Meets Johnny Hodges
This is such a pleasing record to listen to. I'm sure everyone could like this! It's very easy on the ear compared to the east coast stuff from the same period that everyone knows. And they solo beautifully: no one is in a hurry on this record.
Over-rated Record
My Bloody Valentine - Loveless
This does nothing for me whatsoever. It's just lift music. Vague sounds. No songs. No soul. I don't understand it at all.
Record of Sin
Dr. Dre - 2001
I really love this! I don't really feel embarrassed. Perhaps I ought to feel embarrassed! Some of the lyrics are not very nice. But it makes me very happy to listen to this and dance around and sing along. It's only got about 4 good songs, but those songs are very good indeed. The Watcher! Still Dre! Just the best grooves in the world!
Joyful Record
Songs Ohia - Axxess and Ace
This record just has so much heart. It's kind of sad music I suppose but it moves me and lifts my spirits. I suppose it just lifts my spirits that someone made something like this once. Great music. Always perks me up.
Record From My Youth
Rory Gallagher - Rory Gallagher
I used to listen to Rory Gallagher all the time when I was younger. I even had a picture of him taped to my guitar amplifier. I learnt a lot about playing the guitar from him. This record is up there with Everybody Knows This Is Nowhere for having just great, raw, no-effects guitar playing. I still like it a lot.
Surprising Record
Veneno - Veneno
Someone described this to me as ''Spain's Marquee Moon''. I'm not sure that quite describes it. It is a cocaine fuelled fusion of flamenco and rock. It's a bit proggy. It's very bouncy. It isn't like anything that I have ever heard. I go back to it every now and then and it sounds completely different to me every time. It is very odd. I'm not sure it's any good. But I like it!
Record That Reminds Me Of...teenage years
Dirty Three - Whatever You Love You Are
This record reminds me of listening to John Peel when I was a teenager. I remember the churning violins of the first track, Some Summers They Drop Like Flies, coming out of the radio. It was dark and intense and slow and very live sounding. It sounded very real. We went to see them at the arts centre in Leicester. We were very little. They were extraordinary. Almost scary. A great band! 

Interview: Mischief with Allo Darlin' inspires new Wave Pictures record


A tour with indie pop stars Allo Darlin' has inspired The Wave Pictures' new album City Forgiveness. ShadowPlay caught up with frontman David Tattersall to discuss the album and the band's future.

If a decade of being told his voice is a dead ringer for Modern Lovers singer Jonathan Richman is wearing, then Wave Pictures frontman David Tattersall doesn't show it. The likeable songwriter cites Richman's 2008 album 'Because Her Beauty Is Raw and Wild' as a key influence to new album City Forgiveness, along with Rory Gallagher, Neil Young and rumba singer Franco and the OK Jazz.
 David Tattersall

But there's one key influence on the latest LP from the prolific trio - Allo Darlin'. The Fortuna Pop outfit accompanied the Wave Pictures on a six week tour of the US last year and double album City Forgiveness is the result of the trip. "The best thing about that tour was that we all became friends. The highs would be hanging out and drinking tequila and playing frisbee. The lows would be driving nine hours a day in the hot sun," Tattersall explains.

Release on hip London label Moshi Moshi on October 21, the record will be eagerly anticipated by the band's unique and oft-obsessive fan base. "We think it's the best thing we've ever done! We're very happy with it," explains Tattersall. "We have great special guests on there: Paul Rains from Allo Darlin, Stanley Brinks and others. And we've got a deep, rich sound that we never had before. The album has more tones and colours than on our previous efforts, more life, more energy."

If single The Woods is a marker than that description is more than accurate. A live version of the track recorded seminal east London studio Toe Rag shows Tattersall's trademark off beat lyrics ("I have unattractive nurses in my dreams/ stacked  low like pancakes") married to an infectious relentless dirty rhythm to give a performance as good as any the band have ever put in. 

"It was really really fun," Tattersall says of the Toe Rag session. "We certainly enjoyed the analogue aspect of the studio, the absence of a computer was delightful. I don't like computers much to be honest and I try to avoid them for the most part."

New album City Forgiveness
Formed in the East Midlands in the late 1990s, The Wave Pictures - Tattersall, bassist Franic Rozycki and Jonny Helm - have progressed to become royalty in the anti-folk scened finding fans and collaborators in comic supremo Jeffrey Lewis, Mountain Goats frontman John Darnielle and Swedish folk legends Herman Dune among others. 

"We've been lucky right from the start with all the wonderful people that we have worked with. I remember hearing Jeff Lewis on John Peel when I was a teenager living in the East Midlands at my parents house," says Tattersall. "I thought his songs were incredible then and I still do now, and we've been friends for ten years and Franic played mandolin on his last album.

"I was uplifted by playing with Daniel Johnston: his songs really cheered me up and made me happy."
The Wave Pictures are one of the hardest working bands in the UK and their staggeringly prolific output has seen the trio release approaching 20 albums as well as solo projects and spin offs. Their tales of marmalade statues and avocado babies have combined with electric tunes like Jimmy Reed and Just Like a Drummer to retain a buzz around the band. Regular tours around the UK, US and Paris include headline slots in New York, a forthcoming gig at the Jazz Cafe in Camden on November 13 and the band even played ShadowPlay's first gig on a snowy night in Sheffield in 2006.

But does the relentless recording and touring ever get too much? "It certainly can be a struggle at times. But we've stayed true to the way we think things should be done. And so we're happy and enjoy what we're doing," Tattersall says.

"Nevertheless, we travel a lot and work hard and it can be a struggle to deal with all the opinions and criticisms that you get and all the indifference too, and all the while you know that the last thing the world needs is another band. 

He adds: "But the secret, I suppose, is to focus on the job at hand and try to disregard everything else that goes along with it. We get along with each other, and we love music, and that helps a lot."

Conviviality then, may be the key, but a heap of energy and a fistful of inventive tunes will doubtless keep the Wave Pictures on top too.

Thursday 12 September 2013

Lisbon and Album Tracklist

The Darren Hayman directed video for "first single" Lisbon was released this week. It's not clear if there will be an actual single with b-sides or if it's just a track released to radio. Bit of an odd choice of song? You decide!



The following tracklist seems to have appeared online as well. Not entirely sure why the second CD would be listed first but judging by some familiar titles this seems to be a genuine tracklist. 6 weeks or so to go!

CD2
  1. Tropic
  2. The Inattentive Reader
  3. Shell
  4. The Ropes
  5. Narrow Lane
  6. Atlanta
  7. New Skin
  8. A Crack In The Plans
  9. Golden Syrup
  10. Like Smoke
CD1
  1. All My Friends
  2. Before This Day
  3. Chestnut
  4. Better To Have Loved
  5. Missoula
  6. Lisbon
  7. Red Cloud Road (Part 2)
  8. The Woods
  9. Whisky Bay
  10. The Yellow Roses

Wednesday 24 July 2013

October 21st!

NEWS: The Wave Pictures to Release New Album

Mg 1103
The Wave Pictures have announced today that they will release their brand new album called City Forgiveness on 21st October 2013!
Borne from 6 weeks driving around America in a small van on tour with Allo Darlin', the result of this trip is their fifth studio album.
"We visited Hank Williams' house and Billy The Kid's grave, watched the Golden Gate bridge disappear into the clouds, and had our frisbee confiscated by a cop. We played some great shows together, and we became good friends, and we drove and we drove and we drove and we drove" explains vocalist and lyricist Dave Tattersall. Whilst they drove Tattersall scribbled in a notebook - "anything that popped into my head" and on his return found "a few hundred crumpled well-travelled pages in at the bottom of my bag."
Ten years after The White Stripes recorded Elephant at the hallowed studio, The Wave Pictures took a trip to Toe Rag to record this exclusive footage of The Woods, taken from City Forgiveness:
They play a full UK tour in celebration of the release in September:



SEPTEMBER
11 - Cambridge (Portland Arms) [Tickets]
12 - Cardiff (Full Moon Club) [Tickets]
13 - Nottingham (Spanky Van Dykes) [Tickets]
14 - Festival No. 6 [Tickets]
15 - Bristol (Louisiana) [Tickets]
18 - Leicester (The Musician) [Tickets]
19 - Liverpool (Kazimier) [Tickets]
20 - Edinburgh (The Pleasance Theatre)
21 - Aberdeen (Snafu)
22 - Glasgow (Mono)
23 - Newcastle (The Cluny) [Tickets]
24 - Preston (The Continental) [Tickets]
25 - Hull (The Adelphi)
26 - Leeds (Brudenell Social Club) [Tickets]
27 - Manchester (Soup Kitchen) [Tickets]
28 - Brighton (The Haunt) [Tickets]
NOVEMBER
13 - London (Jazz Cafe) [Tickets]
www.thewavepictures.com
www.facebook.com/thewavepictures
www.youtube.com/thewavepicturesmusic
@thewavepictures

Sunday 21 July 2013

Indietracks Interview 2013

 http://indietracksblog.blogspot.co.uk/2013/07/indietracks-interview-27-wave-pictures.html

Indietracks interview #27: The Wave Pictures



Interview by Gareth Ware

Prolific, lyrically vivid and packing, in David Tattersall a truckload of awesome guitar solos to boot, The Wave Pictures are making their first venture to Ripley's fair climes since 2008, which coincided with the release of acclaimed second 'proper' album 'Instant Coffee Baby'. With much having changed since – including the record or two released in the meantime – David Tattersall kindly took the time to talk about their return and their imminent new double album.

Having last played Indietracks way back in 2008, are you excited at returning and seeing how the festival has developed?
Yes I am, though I hope it hasn't changed too much. It has always had such a nice atmosphere.

How do you think you've developed as musicians, songwriters and performers in the time between visits?
I think we have improved tremendously!

What can you tell us about your new record, which comes out in the autumn? With it being a double, were there new challenges in making it compared to a standard, single-disc album?
We travelled around America for six weeks, crammed in a van with Allo Darlin', and I wrote lyrics in a notebook to pass the time on the long drives. When I got home to London, I was pretty jet lagged and confused; I didn't sleep properly for about a month. All I could do was write songs. It was a strange time in many ways, I felt like a ghost but the songs just poured out of me. I could just pick up the notebook, look at something I had written in it whilst travelling around, and make a song up instantaneously. It was very exciting. It was this strange and unusual time that necessitated doing a double album. I didn't decide to make a double and then set about writing it. I think I wrote about fifty songs in a week. It had to be a double! But, we cut it down to the best twenty tracks. Or what seemed the best at the time. The title came to me in a dream, and since nothing useful ever came to me in a dream before, I thought we should use it. The album will be called City Forgiveness.

Having done both EPs and now a double alongside the standard album format, which do you think offers the greatest writing challenge - the need to get a message across concisely on an EP or maintaining a sense of cohesion over a double?
There are no challenges really on the writing side. You just write songs and you put a small number of them on an EP and more on an album and twice as many again to make a double album! I like double albums a lot, as a music fan. Lubbock (on everything) by Terry Allen, Trout Mask Replica, Blonde on Blonde... there are some good double albums knocking around!

The question on everyone's lips will no doubt be: will it contain mentions of fruit? Can you please confirm or deny this fact?
I definitely got some food and drink in there somewhere. I had genuinely no idea that I wrote about fruit often until it was pointed out to me. It is funny because I did it lots of times without thinking about it, but now I am quite self-conscious of it. So there might be no fruit on the new album.

Speaking of lyrics, you've always had this way with vivid imagery reminiscent of Jonathan Richman et al - where does the inspiration for them come from?
I think that the truth is that after a while you just start to think in the form of song lyrics. You walk down the street and lines start to form in your mind that sound like song lines. It happens to me that way. Certain conditions are also strangely helpful to songwriting. I often write a song if I haven't slept well or if I am hungover: I do not know why!

When I was younger I would turn to writers to kick-start my brain. I took many many lines out of Raymond Chandler novels. I stole freely from Charles Bukowski and Henry Miller and Jim Thompson and Carson McCullers. I still do this occasionally, but it is pretty rare for me to use someone else's line these days. Generally the lyrics just pop into my mind and then it is a matter of editing.

So - I guess the answer is that, after a while, the songs just inspire themselves! They start writing themselves. I do it just for pleasure, and it comes quite easily to me now, which is not to say that I don't wish I was better at it. Often, I cringe with embarrassment at my own songs. But, as long as I enjoy myself, I will keep doing it.

What does the rest of 2013 hold for you and what are you most looking forward to?
I am most looking forward to working with Howard Hughes again - doing some writing and recording for another Lobster Boat album with him. That should be fun.

What are you most looking forward to seeing and/or doing at the festival? Is there anyone in particular you're particularly excited to see?
I am excited to see my parents. They should be coming along, since they live quite near to the festival. I hope so anyway. I have always enjoyed just being at the festival with them, and seeing friends play. It is such a nice relaxing festival; one of the only ones I enjoy being at.

If I am able to be there, I will watch the Pastels. I love their music. Do you know the recording of This Could Be The Night by Jad Fair and the Pastels? That's one of the best records I can think of.

Thursday 6 June 2013

News drip drip...

Short little interview with DT over here: http://rhubarbbomb.blogspot.co.uk/2013/05/the-wave-pictures-interview.html has some nice little titbits.

We've just finished recording two albums. One as the backing band for Stanley Brinks, and one as the backing band for Hugh Noble and Adam Lipman. We recorded the Stanley Brinks one at Soup Studio in Limehouse, and the Noble/Lipman one with Darren Hayman, at his house. We're just the band on these albums. Hired guns! 
You’ve also got a double album in the pipeline. Sounds ambitious but from the strength of the new tracks you aired last time out here it promises much. What made you decide to make it a double and when is that due out?
I never had a burst of productivity quite like this one. About forty songs came out of me in two weeks. We clearly had a double album on our hands. I don't know why this happened. But I'm not going to look a gift horse in the mouth. It wasn't a conceptual decision, this was just the album that we had on our hands to make. Things have never been better in the band - we're enjoying ourselves tremendously at the moment. Maybe that's why it came about.

The days tick away.....


Friday 26 April 2013

New Radio Interview

I don't always post these but this is an excellent interview with the WP's from yesterday on Amazing Radio. Lots of info about the new LP and the NEW EP too!! Plus, the City Forgiveness confusion is settled....


Friday 19 April 2013

City (of?) Forgiveness

As the WP's are currently on a tour of residency's in the UK they played two nights in a row on Marc Riley's BBC Radio 6 programme this week. You can listen again here for a limited time:

http://www.bbc.co.uk/programmes/b00c72y1/broadcasts/2013/04

They played three new songs over the two nights - The Ropes, Chestnut and Lisbon and they revealed these songs would be on their new double(!) LP, due in October and called City Forgiveness. Or possibly City Of Forgiveness, I couldn't quite work out Riley's pronunciation. Also noteworthy for us WP geeks was the news it was recorded with Simon Trought at Soup Studios and that all the lyrics were written in one chunk during the 2012 US tour with Allo Darlin.

This followed up in the following interview:

http://www.theargus.co.uk/leisure/music/10349813.The_Wave_Pictures/

Over the past two years, The Wave Pictures have played three-night residencies at The George Tavern and The Old Blue Last in East London – playing different set lists each night.
For this latest tour, the trio have expanded the idea, taking it out to Glasgow, Manchester, York and Newcastle, with the first dates taking place in Brighton – albeit in three different locations.
“It does undo one of the nice things about doing residency shows – when you only have to turn up and soundcheck once,” admits David Tattersall, who seems unfazed, and happy to be back in Brighton.
“I do like Harry Ramsden’s and going around the record shops. I came down with my girlfriend last week and had a nice day out.
“I used to live in Glasgow as a student, and we know the promoters in York and Manchester – they’re all places we’re happy to be spending a few days in.”
The idea of playing three shows with different material every night is a challenge – although Tattersall admits the band never plays with a setlist anyway.
“In London we had a list of all the Wave Pictures songs we could play and crossed them off as we went,” he says, referring to a back catalogue which stretches across ten albums – five self-released, four on the Moshi Moshi label, plus one on Smoking Gun Records – as well as numerous EPs and limited edition singles over the past decade.
“There was a point 18 months or two years ago where I could sing any Wave Pictures song and remember all the words – now there are just too many. When something goes wrong it’s usually quite fun.”
It was at the London residencies that several popular features of The Wave Pictures’s recent live show came together, from sections sung off-mic, to drummer Jonny Helm coming out from behind his kit to take lead on a couple of numbers.
“Jonny started singing along with me on one song when we did the residency at The George, so I pushed him to do a lead vocal,” says Tattersall.
“The next time we played he got out in front and sang. Franic [Rozycki, bassist] and I had no idea he was acting so cute and nervous when he sang which people seem to like.
“We don’t really rehearse or play together much when we’re not on stage, it tends to just be gigs, soundchecks and recording sessions, so most of these things are quite spontaneous.
“I really like to have moments in the set that are as quiet as possible, to see if you can get the audience to concentrate, and also have the moments where we rock out with long guitar solos making a lot of noise.
“Having that huge dynamic range is something which excites me, especially when we can get the crowd to go with us.”
The residency shows are set to feature new material from a forthcoming double album, due out in October.
Similarly to the band’s last few records it was committed to tape at breakneck speed.
“For the last album Long Black Cars we went to New York and had four days in the studio,” recalls Tattersall. “With Beer In The Breakers we had two days in Darren [Hayman, former Hefner frontman]’s house, and both records came out great.
No pressure
“We decided let’s record this one in a more luxurious way, with no pressure for time. We went to Soup Studios near to where I live in East London and did 20 songs in three days.
“It comes from playing the songs live for a while before going into the studio.
“We like things to be as lively sounding as possible – so on a good day you can get a lot of songs done in one day.
“There are more guests on this album – we’ve got Stanley Brinks from Herman Dune playing sax and guitar, and Paul Rains from Allo Darlin’, plus two drummers.
“We don’t like to compromise – so the reason our records sound as terrible as they sound is because that is how we like them to sound. Even if we took an infinite amount of time, they would still end up being something that was made very quickly.
“This album sounds very different to me. It might sound the same to somebody else – it’s not as if we’ve gone electronic or anything – but I’m very excited about it.”
Prior to that release, The Wave Pictures have a tribute album available through their website to raise money for the family of an inspirational singer-songwriter.
Jason Molina, frontman of Songs: Ohia and Magnolia Electric Co, died aged 39 last month following a battle with alcoholism.
The band had already been working on an album of his songs with friends, including Will Oldham, Jeffrey Lewis, Herman Dune and Darren Hayman, to raise money for Molina’s hospital bills when news of his death came through.
While The Wave Pictures’s songs have been released separately, the others have been donated to another tribute album, Weary Engine Blues, put together by American label Graveface Records which will also give all proceeds to his family.
“We found out that their pre-orders had already raised $10,000,” says Tattersall.
“I had always thought Jason might get better or might get to make music again.
“We all take the NHS for granted in this country, but in the US it’s not uncommon to run up huge hospital bills, or for people to die because they can’t get the treatment they need. I’ve no idea whether that happened to him or not but I know the family will have a massive debt.
“He’s certainly one of the people I have listened to the most – especially the Songs: Ohia album The Lioness. Maybe a few people will listen to his music who haven’t before.”